SHUTTLE ON THE GLEBE

ARTogether

Use art as a carrier to promote the collaborative growth of community, environment and heritage over time

HYBRID QUESTION

What if Art is the first thing to consider rather than apartment buildings?

THEORETICAL FRAMEWORK

WHAT IS THE PROBLEM AND HOW DOES THE PROBLEM RELATED TO THE TOPIC?

With the expansion of cities, residents have increased dramatically, industrial land has been reused, and the pressure on public spaces has increased. (Gordon, n.d.) Cities have presented a complex environment full of diverse values, interests, and diverse cultures (Iveson 2007). In addition, the publics are centre on work and family. We never seem to have time to enjoy art, socialise, and gradually form a personal social disconnect and isolation. Therefore, it is crucial to inject new vitality into the public space and establish an emotional connection with society. (Crivello, 2011).

WHY ART IMPORTANT?

“Everyone is an artist.” (Beuys, 2015) Art could be a tool to enhance social cohesion, and art related strategies are used for various purposes, social regeneration, political influence, and industrial revitalisation. However, they are also used to encourage forms of public life accessible to all (Hee, 2008). On the other hand, Art places use the creative class and social capital theory to promote gentrification. While it still could use creativity as part of a broader social movement to resist and oppose gentrification. (Pritchard, 2018)

Encourage accidental rather than causal connections between remembered art events, areas, objects and people. Using art-related activities to establish an emotional space for interaction is helpful to the revitalisation of heritage sites. (Edensor, 2005).

HOW DOES IT RELATE TO THE SITE?

With the expansion of the city of Sydney, the number of residents has increased sharply, gentrification and the pressure on the city’s public space has increased. Industrial land in cities is gradually being removed or stopped, and the suspended industrial land needs to be revitalised and used again.

As the original industrial land, the Bays Precinct is close to the Sydney Central Business District. At the same time, it has close ties with many local centres and employment clusters in the inner west. With the increasing urbanisation and many residents who cannot afford to house, the ‘shelter for all’ policy promoted by the Inner West Council has attracted many people to live.

The rejuvenation of The Bays Precinct requires establishing a new foundation of identity and sense of place. The landscape architect will be committed to injecting art for attraction and encouraging people to lead Phytoremediation action.

The aim is to create sustainable artistry equal accessed environment for all the public. This area will initially be landscape led and revitalised by spontaneous local art occupation, later becoming established arts communities. Moreover, it will focus on increasing public social participation and promoting the ‘growth’ of community, environment, and heritage.

REFERENCE

-Beuys, (2015). Medium. https://medium.com/art-meanderings-for-living/on-joseph-beuys-everyone-is-an-artist-ae6f23a75dea

-Crivello, S. (2011). Spatial dynamics in the urban playscape: Turin by night. Town Planning Review, 82(6), 709–731. Retrieved July 21, 2021 https://web-aebscohostcom.wwwproxy1.library.unsw.edu.au/ehost/pdfviewer/pdfviewer?vid=1&sid=eb3fcf88-f333-4622-9f7e-a773ba1ec071%40sdc-v-sessmgr03

-Edensor, T. (2005). The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space. Environment and Planning D: Society & Space, Retrieved July 23, 2021 https://doi.org/10.1068/d58j

-Gordon, G. (n.d.). Well Played The Origins and Future of Playfulness. Retrieved July 23, 2021 https://files.eric.ed.gov/fulltext/EJ1023802.pdf -Lveson. (2007). Publics and the City. Retrieved July 24, 2021 https://onlinelibrary.wiley.com/doi/book/10.1002/9780470761748 -Pritchard, S. (2018). Place guarding: Activist art against gentrification. In Creative Placemaking (pp. 140-155). Routledge. https://www.taylorfrancis.com/chapters/ edit/10.4324/9781315104607-11/place-guarding-stephen-pritchard

-Hee, L., Schroepfer, T., Nanxi, S., & Ze, L. (2008). From post-industrial landscape to creative precincts: Emergent spaces in Chinese cities. International Development Planning Review, 30(3), 249-266. http://dx.doi.org/10.3828/idpr.30.3.4

Where?

ART-RELATED DISTRICTS SURROUND THE SITE

LACK OF DIVERSITY ACTIVITIES PLACES

INDUSTRIAL REMNANT WITH DIVERSE VIEWS

INDUSTRIAL REMNANT AS OPPORTUNITIES

CONVERSION OF INDUSTRIAL OPEN SPACES SURROUNDED CEMENT SILO

DETAIL DESIGN SITE SELECTION

Based on Year4 Term1 group masterplan

Site Issues

INDUSTRIAL REMNANT AS CONTAMINATED LAND

Heavy Metals, PAHs, PCBs, Herbicides

Heavy Metals, PAHs, PCBs, VOCs

Heavy Metals, PAHs, PCBs, Arsenic, VOCs

Heavy Metals, PAHs, PCBs, Herbicides Water Pollutants

RELATIVE REMEDIATION TIME

Good opportunity for field application

Some potential

Less potential

Short Time (1-5 years)

Less Time (1-10 years) More Time (More than 10 years)

MAIN SPECIES FOR PHYTOREMEDIATION

Removes: Zinc, Cadnium Removes: Weathered DDT, PCBs

Removes: Arsenic Removes: Carbon, Zinc

Carcinogenic

Copper,

HYBRID QUESTION

How could Art co-exist with community, urban development, and environment and achieve commercial value?

Strategies

STRATEGIES WITH DEFINED TIME

Phytoremediation Seed and information centre

Establish New Gathering space

Advertisement for commercial U se

Phytore - mediation Grass in action

STAGE1 Renewal

Phytoremediation Grasslands With Sculpture Exhibition

STAGE2 Remediation

STAGE3 Development

Gathering for seasonal event

Phytore - mediation Trees Water Sensitive Urban Design New Waterfront Promenade -Free Moss Graffiti Zone -Plan 1/3 Affordble Apartments above Retails

Capping for toxic that not easy to remediation

CPTED consideration Street Art Exhibition

STAGE4 Cohesion

Planting more native birds attraction species

STRATEGIES WITH DEFINED TIME

Phytoremediation Seeding area

1. Elevated Walkway

2. Overhead Pipelines

3. Existing Triangle Structure (Seeds and information centre)

4. The Cement Silos (Art Gallery)

5. Railway

STAGE2 Remediation

Phytoremediation Grasslands

1. Elevated Walkway

2. New Gathering Space

3. Overhead Pipelines

4. Seeds and information centre

5. The Silo Art Gallery

6. Concrete Walkway

7. Railway

8. Sculpture Display Area

Moss Graffiti Zone -1/3 Affordble Apart

ments above Retails Capping for toxic that not easy to remediation

Phytoremediation Grasslands

Phytoremediation Trees

Capping for less potential remediate toxic

1. Elevated Walkway

2. New Gathering Space

3. Overhead Pipelines

4. Seeds and information centre

5. The Silo Art Gallery

6. Concrete Walkway

7. Railway

8. Sculpture Display Area

STAGE4 Cohesion

STAGE4 Cohesion

Year 2035

Phytoremediation Grasslands

Phytoremediation Trees

Capping for less potential remediate toxic

Native Plantings

1. Elevated Walkway

2. New Gathering Space

3. Overhead Pipelines

4. Seeds and information centre

5. Outdoor Performance

6. Timber Path

7. Elevated Steel Mesh Walkway

8. The Silo Art Gallery

9. Commercial Buildings

10. Leisure Spaces

11. Studios and Workshops

12. Apartment above retail (1/3 Affordable)

13. Railways

14. Wilderness Sculpture Park

15. Open Theater

CPTED Consideration

SECURITY DESIGN

PROPER LIGHTING

PUBLIC ART

MAINTENANCE AND MANAGEMENT

Vehicle barriers

Material use for distinguish space

- White metal halide lamps

- Always provide lighting in trail underpasses, day and night

- Sculptures can act as “eyes”

- Brightens energy in unanticipated spaces

- Use landscape elements to deny admission to an unwanted behaviour target

- Use signs to direct visitors to appropriate buildings, entrances and parking

Diamond firetails

Turquoise parrot Red-browed Finch

Name Size Number CURLY DOCK

10 plants/ m2 VETIVER

10 plants/ m2

10 plants/ m2

20 plants/ m2

WATTLE

Size

parrot Red-browed Finch

Size

LEPTOSPERMUMPOLYGALIFOLIUM

CALLISTEMON VIMINALIS

BLACK WATTLE

MULBERRY TREES

PLATANUS ACERIFOLIA

PLANTING MIX A&B

ZOYSIA JAPONICA

PLANTING MIX C&D

Red-browed Finch Fairy wren Rainbow Lorikeet

Number

Phytoremediation Seeding

PLANTING MIX A

Seeds and information centre

Grasslands with no exposed toxic soil Annually mowed and harvested

Year 2033

PLANTING MIX A

PLANTING MIX B

Size Number

Year 2035

PLANTING MIX A

Name Size

CURLY DOCK

Planting Mix A&D

PLANTING MIX B

Name Size Number

PLANTING MIX D

CALLISTEMON VIMINALIS

PLATANUS ACERIFOLIA

Year 2035

PLANTING MIX A

PLANTING MIX D

BILLARDIERA SCANDENS 3*1.5m

LEPTOSPERMUM POLYGALIFOLIUM 2.5*3m

CALLISTEMON VIMINALIS 4*6m

PLATANUS ACERIFOLIA 10*14m

Year 2023

PLANTING MIX A

Annually mowed and harvested

CONTAMINATED SOIL

Grasslands with no exposed toxic soil

Year 2033

BRASSICA JUNCEA

HELIANTHUS ANNUUS

Year 2035

VIMINALIS

Year 2035

Name Size

CURLY DOCK

0.5*0.3m

VETIVER GRASS

BRASSICA JUNCEA

HELIANTHUS ANNUUS

0.5*1.5m

0.5*0.6m

Affordable Apartments communal zone: 18.7m

Building type: Residential above retail

Building height: 18m

Number of floors: 5

Building Setback: 2.5m

Road in between apartment and Cement Silos: 21.5m

Building type: Residential above retail

Building height: 18m Cement Silos height: 38.4m

Building Number of floors: 5

Building Setback: 2.5m

Model Test

Thank you